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Fostex NF-1A—Active Near-Field Studio Monitor, by  David
Ogilvy. The surge of 5.1 surround mixes has created a higher
demand for self-powered speakers. To fill this need, Fostex has
manufactured an amplified version of the NF-1: the NF-1A. moreElectrix MODS—Modular Performance Effects, by Barry Rudolph.  The
MODS are half-rack size and packed with special effect possibilities
for the musician, DJ, remixer or engineer who wants to add an individual
performance dynamic to special effect treatments. moreEvent Electronics EZbus - USB Interface/Controller/Digital Mixer, by  George
Petersen. EZbus combines a USB (MIDI and audio) interface for
PC or Mac, a console control surface for operating the onscreen
mixers integrated into sequencers, and a digital mixer with 24-bit/96kHz
converters. moreBIAS Peak 2.1- Sound-editing Software for Macintosh, by Paul D.  Lehrman.
Peak started out by deliberately filling in the gaps left by Sound
Designer. Peak uses a combination of disk access and RAM processing
to manipulate sounds more quickly. moreTerraSonde Audio Toolbox Version 2 - Portable Audio Test Set, by  Bob
Hodas. Now
in its second generation, TerraSonde’s Audio Toolbox Version
2 is a collection of DSP-based maintenance tools that any studio
will find useful. moreBack to Current Reviews (Pg 1)
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Delta 1010-AI ADAT Interface for the Delta 1010—A Review, by Rob Albertson. Aside from an easy way to import ADAT tracks, edit them, and then store the tracks on relatively inexpensive S-VHS tape, this interface allows the user to connect to a wide variety of mixing  consoles,
effects processors
and synthesizers which employ the ADAT optical format. moreDigidesign Pro Tools 5.0 - Digital Audio Workstation Software, by Erik Hawkins. The upgrades in this new Pro Tools version are few in number, but  they
are major in scope, with several new editing tools, a refined user
interface, optional video media support, MIDI sequencing and some
system extension refinements that improve overall performance. more Audio-Technica
AT4047/SV -
Cardioid Capacitor Microphone, by Roger Maycock. Audio-Technica’s
latest large-diaphragm, cardioid capacitor microphone is the AT4047/SV,
intended for critical recording and broadcast applications. The
microphone has a gold-plated, XLR-type connector and ships in a
foam-lined case with a matching silver-colored shockmount.
more Swissonic
AD96 and DA96 Converters -- A Review by Jim Roseberry.
When working with digital audio, your system's analog-to-digital
(A/D) and digital-to-analog (D/A) converters will ultimately determine
the fidelity with which you can capture and playback audio.
more M
Audio's Delta 1010 Audio Interface, Part 1 of a Review by
Rob Albertson. The one-rack space size module contains eight
balanced / unbalanced analog inputs and outputs plus coaxial S/PDIF
I/O for a DAT or other digital device. The unit can digitize audio
up to 24-bit data width and achieve sampling rates from 8kHz up
to 96kHz. more
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last updated: Monday, February 19, 2001 16:16:26