| |
No matter what type
of audio system you use, cables are necessary to connect the components.
Recording studios, live-sound rigs, guitar racks, DJ setupswithout
cables, none of these systems is much more than a stack of silent boxes.
Cables are the highways that audio signals travel on; without them, no
sound gets through.
Clearly, cables are essential, critical pieces of gear in
any audio system. But because they are not as fun and sexy as microphones,
preamps, and processors, nor as engaging and multifaceted as samplers,
sequencers, and recording devices, cables often get overlooked or ignored.
Consequently, cables remain something of a mystery for many people, even
those who have invested thousands of dollars in them and rely on them
daily.
Quality
Counts
It is common knowledge that good-quality cables are essential for trouble-free
system performance and that worn out or damaged cables can result in hums,
crackles, and intermittent signals. But what some people might not realize
is that an inferior cableeven if its fully functionalcan
also have an adverse effect on the sound quality of a system. Poor-quality
cables can filter signals, introduce noise, and cause distortion; in addition,
theyre more prone to crap out just when you need them most.
Worse still, the problem
is a cumulative one. A single inferior cable might contribute only the
slightest sonic compromise, but the tiny degradations introduced by several
such cables can add up to a substantial loss of sonic quality. For this
reason, it is vitally important to spend ample time and money selecting
appropriate, high-quality cables for your system. (Some manufacturers
provide inexpensive molded cables with their audio gear just to help you
get up and running; but its usually advisable to replace these with
better-quality cables.) Not only do high-quality cables make a difference
sonically, but their greater reliability increases your systems
longevity as well.
Of course, sonic quality is a balancing act between all the components
in a system. Poorly made cables can compromise your audio, but a poor-quality
system might be incapable of registering the enhancements offered by premium
cables. Dont be surprised if those $1,000 speaker cables dont
improve the sound of your $300 studio monitors!
Anatomy
of a Cable
 |
|
FIG.
1: A single-conductor cable with braided shield and filler (to help
reduce handling noise).
|
There are three main
types of analog audio cables: microphone, line/guitar, and speaker. (To
understand the distinction between analog and digital audio cables, see
the pop-up Appearances
Can Be Deceiving.) Fig. 1 shows the basic parts of a line
cable. The main component is the central conductor, which carries the audio
signal. The conductor is covered by a nonconductive insulating material
that is typically made of plastic or rubber.
A conductive shield encases the conductor and insulator core, protecting
it from outside interference and also providing an electrical ground, which
is necessary to transmit a signal. A nonconductive jacket surrounds all
of this, providing structure and durability.
NEXT
Reprinted with
permission from
Magazine, January, 2001
© 2001, Intertec Publishing, A Primedia Company All Rights Reserved
[an error occurred while processing this directive]
|