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Lately
Ive been asking myself, What madness would induce a musician
to invest thousands of dollars in an analog modular synthesizer when everyone
is moving toward software emulations? Software synthesizers offer
more features at a lower cost and dont take up the space of hardware
synths. However, they lack the immediacy and physicality of a real instrument.
When I first encountered Synthesis Technologys MOTM system and its
wall of conservative black faceplates covered with large gleaming knobs,
I recalled the excitement I felt before the days of MIDI. Creating electronic
music then was a tactile and visceral experience, and the instruments were
big and messy. MOTM stands for MOTher of all Modulars, and though
thats quite a claim, the exceptional quality of Synthesis Technologys
system might validate such hyperbole. The MOTM system balances modern audiophile
standards with some of the more desired quirks of retro analog synth design.
Back
to the Future
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Synthesis
Technology's MOTM modules are designed to fit standard 19-inch racks,
so you can mount five double-wide modules side by side.The system
in this photo includes a row of 6 modules, for a total of 11 modules
in a portable SKB case
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Whereas a MIDI-controlled
synthesizer, by its nature, operates in terms of discrete note events,
a modular synth works from a continuum: sound is created by complex swings
in voltage and the interacting patterns of clocks and switches. A patch
on a modular synth is an environment for inflection and nuance: a living
and changing entity far removed from the preset mentality brought on by
recent keyboard developments.
The physical accessibility of each function in the various components
of a modular synthesizer makes it easy to explore new sound possibilities.
Anything that creates a voltage can become a controller, and anything
that makes a sound can become part of a patch.
A modular synth can be integrated into the modern studio in ways that
were not possible during the instruments heyday. A MIDI-to-CV converter
and sequencer software give substantial control over the modules through
MIDI. The recording and sampling capabilities of a digital audio workstation
further increase the usefulness of an instrument that requires repatching
to get new sounds.
Although the idea of programming with patch cords is primitive by todays
standards, its more direct than programming a preconfigured synthesizer.
You dont have to spend hours fussing with routing assignments, SysEx
parameters, and device IDs as you do when you set up a hardware controller
for a soft synth. Using a modular hardware synthesizer is a truly satisfying
plug-and-play experience.
SELF-SERVICE
A modular synth might
even inspire you to grab a soldering iron. Although preassembled and tested
MOTM modules are available, Synthesis Technology also offers each module
in kit form. The kit versions are about 30 percent cheaper than the preassembled
ones. Besides the satisfaction you will gain from creating a system by
hand, you might have enough money left over to buy a few extra modules.
For those new to DIY, the Synthesis Technology Web site has a regularly
updated tutorial page that includes a list of supplies and books for getting
started, as well as MP3 demos of each module.

Reprinted with permission from
Magazine, March, 2001
© 2000, Intertec Publishing, A Primedia Company All Rights Reserved
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