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Analog Audio
Analog
Boot Camp—Analog and
other 70s arcana
Analog
Tape 101—Part 1
Analog Tape
101—Part 2
Analog Tape
101—Part 3, Bias Magic
Audio, General
Beyond
De-essing—Freq.-Conscious Compression
Phase
One—Phase & Polarity—Not the Same Thing
Sound By
Design—What is a Sound Designer?
You're
Surrounded—
The Coming Storm of 5.1 Projects
CD
Audio
Recording
to CD: More Than Meets the Ear—Part
1
Computer
Are
You On or Off the Bus? The State of the Standards
Audio
I/O, Today and Tomorrow
Choosing
a DAW—Getting It Right the First Time
Configuring
Your PC Audio or MIDI Card—Tips/Tricks
Surviving
the Upgrade Path—Power PC 604 to G4
1394,
USB 2.0 and Serial ATA: Collision Course?
Windows
Instabilities and Ways To Avoid Them
Windows
2000- What, Me Upgrade? Decision Making
SCSI
vs. IDE Bus Mastering for DAWs
Consoles
Console
Talk, Part 1
Console
Talk, Part 2
Console
Talk, Part 3
Designing
the Large-Format Digital Console
Digital
Audio/Recording
48
vs. 96 kHz—from
"Apogee Guide to Digital Audio"
Better
Latent Than Never
The
Changing Landscape of Orchestral Recording
Choosing
a Studio Piano
First
Aid—Quick and Easy Solutions
The
Nature of the Harpsichord
The
Role of the Compressor in the Digital Studio
Scraping
It Together—Recording
String Ensembles
Should
I Worry About 96kHz?
Will It Change
My Life?
Truncation
vs. Dither?
DVD
Audio
DVD-Audio
Arrives! Finally, the Wait is Over!
Give
Me Higher Sampling Rates at Any Bit Width
Listen
Up! DVD Audio
Music
Meets Multimedia
The
Next Big Thing—The
Evolving World of DVD
Education
School's
In! A Guide to Recording Education
Tom
Misner—Audio Education's Global Giant
Electrical/Electronic
Good
Connections—Audio Cables and Applications
Keeping
Quiet—Learn to Handle Hum and Buzz
Never
Assume—Anything About Wiring Power Outlets
Phase
One—Phase/Polarity
Are Not the Same Thing
The
Right Connection—Best Cable for Your Application
Hard
Disk Recording
Driven
for Success— Drive and media formats
Interviews
& Discussions
Walter
Afanasieff—Grammy-Winning
Producer
Russ
Berger—Facility
Designer
Breaking
the Sound Barrier—Female Pros
Flood
Advisory—Michael
Oster’s Passion
Frank
Filipetti—Life
on the Digital Edge
Bob
Irwin—Remastering For Fun And Profit
Keeping
Up With Technology Pt1
Keeping
Up With Technology Pt2
David
Kershenbaum—"Enhancing the Artist"
Glen
Kolotkin—Recording Journeyman
The
Making of the Moon—Brian
Deck
Steve
Marcantonio—Keeping
It Real
Mysteries
of Mixing—Renowned
Mix Engineers
The
Bill Price Interview (Pt. 1)
The
Bill Price Interview
(Pt. 2)
Jack
Joseph Puig
Norbert
Putnam—Memphis
Magic
RaDical
ReCorDing—Five
Engineers Offer Tips
Recording Notes—Apr01;
Mar01; Feb01;
Jan01;
Dec00; Nov01;
Karl
Richardson—Miami’s
Audio Vision Studios
Rick
Rubin—Life Among the Wildflowers
Paul
Simon—The Making of "You're the
One."
David
Thoener—Memoirs
of a Family Man
Live
Sound
All
Quiet on the Wedgeless Stage—In-Ear
Monitors
LCS
CueConsole Fits Into the World of "Seussical"
Line
Arrays—SR's
Latest Sensation
N'Sync—No
Strings Attached
Outboard
Gear: Who Uses What, and Why?
The
Art of Equalization
Time
for a Change In the Orchestra Pit
Up
In Smoke—Tour
Profile and Newsflashes...
Your
Ears or an Analyzer?
Maintenance
and Mods
Analog
Maintenance/Upgrade Considerations—Op Amps
Analog
Maintenance/Upgrade Considerations—Parts,
Improving Power and Ground Distribution
Bugs
in the Tape Machine
DA-88
Maintenance, Upgrades and Tweaks
The
Power of Dirt - Maintenance Tips and Techniques
Random
Noise—Effects of Shock Therapy
Testing,
Testing, 1, 2, 3
What's
Up Wit' DAT?—Digital
Tape Machine
Failures
Who
Will Fix Our Stuff? The
Changing Service Biz
Zen
and the Art of Troubleshooting
- Part
1; Part
2
MIDI
Into
the New Millenium With MIDI—Pt.
I
Bigger
Bytes and Faster Too—Midi In Millennium Pt. II
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Mixdown
Mixdown
Tools: What are We Using and Why?
Mixdown
Tools II: Multichannel, DVD-Audio & SACD?
Mixed
Signals—Guided
Tour of Mixer Topography
So
Many Choices, So Little Time—Format
Quagmire
Monitors
Audio
Basics & Troubleshooting: Monitoring Systems
Burning the Midnight Monitor Oil
Music, General
A
Different Kind of Roots—
Dawn of Electronic Music
Get
It In Print—Creating Good Scores and Parts
License
to Groove—The Mind Club of Sacramento
Music
for a Maharajah—Scoring
A Silent-Film
Paul
Simon—The Making of "You're the
One."
Networks
Broad
& Deep Need for Speed—File Transfer Explained
Infini-What?
— Improving the Network Bus
LANs,
WANs, NASs, and SANs
Learn
the Laws of Physics - An Ode to Engineering
Other
Doctor,
It Hurts When I Do This! About RSI
Doctor,
It Hurts When I Do This! PART II
Experience
Music Project—Multimedia Museum
The
Power Play—Doom,
Gloom & Darkness All 'Round
Outboard
Gear
The
Big Squeeze—A
Guide To Compressors
Power
Amps
Amplifier
Anatomy
What's
New in Poweramps?
Project
Studio
Building
Your System - Equipping the Project Studio
Routing/Connectivity
The
Route Less Traveled-Two
Audio Paths
The
FireWire Standard—Moving Toward Interoperability
Software
DirectX
Steps Up—More
punch for plug-ins
Kind
of Loud Technologies--Profile of RealVerb 5.1
Vocal
Modeling—Modeling the Human Voice
Software Synths & Synthesizers
GM
Modules for the Masses
Mastering
Meta Synth—MetaSynth
2.7
Virtual
Instruments—Mega-Synths on the Tip of a Chip
What
to Do with All of My Software Synths??!!
Sound for
Picture
Adventures
In TDM—Dealing
with Mix Logistics
Exploring
FIGS—Travels
Through Post-Post-Production
Go
Rent the DVD!—Hidden
Gems in Film Sound
Hollywood
Business—Post-Prod
Services Industry
Preparing
for the Film Sound Afterlife
Scoring
to Survive—Russ
Landau TracksCBS Series
Sound
with Character—Performance
in Efx Recording
To:
Directors;
From: Your Sound Department
"Traffic"
and TDM—Avoiding
Virtual Macho
Studio/Music
Business
Facility
Management
Hey,
Partner—Partnerships In the Studio Business
Navigating
the A&R Jungle—What Execs Want
Realty
Reality—Legal
Lowdown on Renting Space
Surround
Sound
5.1
Forensics—Might Require Some Detective Work
Frampton
Comes Alive in 5.1
Full
Coverage—Loudspeaker Selection and Placement
Mixing
in Surround Sound
Out
of My Head—Multichannel
From Headphones
Piano
Celebrates 300th Anniversary
6
Views on 5.1—Adventures in Surround Mixing
Surround
2001 Conference in LA
Surround
2001—The
Sights, ths Sounds, the Seminar
You're
Surrounded—Prepare for 5.1-Surround Projects
Synchronization
The
Synchronization Chronicles, Part 1
The
Synchronization Chronicles, Part 2
The
Synchronization Chronicles, Part 3
Techniques,
Tips & Tricks
Beyond
De-essing—Freq.-Conscious
Compression
The
Earl of Whirl—Capturing
the Leslie speaker cabinet
Emagic
Logic Audio—Time-Saving
Tips and Techniques
Macromedia
Flash—OPTIMIZING
YOUR AUDIO
Metric
Halo SpectraFoo Complete—Transfer
Functions
Otari
Radar II—Tips
and Techniques
Scraping
It Together—Recording
String Ensembles
Web Audio
The
Beatnik Player—Interactive Sound For Web Pages
Caught
Napstering—Problem w/Digital Downloads
Do
the Right Thing—Recent
laws affect music online
The
E-Business Legal Checklist—Internet-based Biz
Getting
It Online—Make
Money From Music on the Web
Getting
Signed Online—Nab
A Record Deal
IP,
IP Everywhere...
A Tale of Two Trade Shows
MP3
Machine...or, What Is Happening to My Audio?
Online
Audio
Score
With QuickTime 4—Film
Scoring With QT Movies
Slicing
and Dicing MP3 Bit Rates
Unsigned
& Online—e-commerce Experiences
Untangling
the Web
Webcasting
On the Rocks—From Stage to Internet
Web
Page
What's
in a WEB PAGE—How
Web Pages Work
Windows
Media Audio—Microsoft Streaming Audio
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