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The Role of the Compressor in the Digital Studio, by JD Mars. Examining our options and the inherent differences in design and use of analog compressors over digital (software-based) compressors may help us determine which choice is best. An Open Letter to the Digital Pro Sound Community, by JD Mars, DPS Producer. December, 2000. Surround 2001 Conference in LA— Stereo's Death Rattle Can Now Be Heard in 5.1 ... and What? 6.1? by JD Mars. Once you go surround, you can never go back. This was the general consensus at the "Surround 2001" 2nd International Conference & Technology Showcase in Los Angeles this past December 8 and 9, the 'cry heard round the land' if you will. Should I Worry About 96kHz? Is It Hype, or Will It Change My Life?, by JD Mars. Every time I've heard 96kHz discussed, it is always in terms of the higher frequency range that a higher sampling rate offers. That always leads to the discussion, "but we can't hear above 20kHz... or can we?
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The
Synchronization Chronicles, Part 1 ... Told in
a story-like form, this article deals with the differences and
related sync issues with SMPTE and wordclock. The
Synchronization Chronicles, Part 2 ... Here, the
story is fully told- or is it? A continuation of studio synchronization
issues. Console Talk, Part 1 ... In this age of hard disk recording, specifically computer based hard disk recording, the nature of how we get “signal to tape” has changed radically ... Console Talk, Part 2 ... The saga continues, grows, and festers in Part 2 ... Console Talk, Part 3 ... Keeping Track of the Players and the Playing Field. A computer based hard disk recording system has routing built-in to the software. We tell the recorder, our computer, what the source is, rather than tell our source signal what the target is. My Digital Evolution ... This is an introductory article- a statement of "where I'm coming from," if you will. |
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last updated: Tuesday, March 20, 2001 15:00:27